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TP: But drums became serious for you around this time, then? BR: Well, I think it was acually in junior high school. I had an uncle who played. This is chords for the whole song "pokok" from hazam ft meet uncle hussain. Just put capo on 2nd fret and it will sound like the studio version. Jon Fishman: Phish drummer, local politician and, now, faculty member. engineering, he met Mike Gordon and Trey Anastasio and founded Phish. universal music group; unreleased music; Fort Adams; Fort Adams State Park Uncle John's Band; betsy devos; Jaunts In The Rear View; DJ Soul.
In her own right Over time, Mohini has become a star of sorts in her own right, winning both adulation and appreciation. These international collaborations with so many artists are a blessing.
It is mindboggling for outsiders, yes, but most of the crowd is inspired by seeing such a young girl make a living from [playing] bass [guitar] because it is a difficult instrument to make a living on. How many people can do the kind of music these two young girls are doing? Ups and downs Committing her life to music, though, has had its challenges. And then she began performing on stage at 10 with seasoned musicians such as Barot and Hussain.
Being constantly surrounded by older men whose world was music, Mohini never found herself drawn to interests that others her age would indulge in.
HAZAMA - POKOK CHORDS by Misc Unsigned Bands @ assistancedogseurope.info
I was already working. Play year-old Mohini Dey and eight-year-old Esani Dey in Balancing the demands of academic schedules with her life as a musician was challenging. Making time for life This year, Mohini plans to spend five or six months in the United States, playing and performing with musicians who have been inviting her.
I cannot say no, right? And then I can ask him or Steve Vai [the American guitarist], who I have performed with, to come and be part of my album. But before that, she wants to make time for family, particularly her sister Esani. After travelling across the globe for a steady stream of projects, Mohini wants to slow down, though the sisters also plan to go on a tour this year with their band, Generation, a jazz fusion three-piece outfit with Gino Banks on drums, that was formed in So I had to call my wife up.
We just had fun with the audience, the audience had fun — it was a fun band. And the music we played, you wanted to dance.
We had some intricate things, but mostly it made you want to get up and dance. And that happy feeling is what really made those bands of that day. Horace had those kind of things that made you want to get up and dance. The Messengers, dance music. It was still slick, but it was dancing slick. How late did you go? Four or five sets? Last set ended at 4. Were there still after-hour sessions at that point?
Where were some of those? Well, one was right downstairs. Then there was another down a couple of blocks. So there was always somewhere to play. Uptown they had turned one floor of a parking garage into an after-hours spot. So you had somewhere to go all the time. And that was a complicated piece!
- Meet Mohini Dey, the bass guitar wizard whose fans include AR Rahman and Zakir Hussain
- Meet Uncle Hussain
- List of female drummers
You said it drove people crazy trying to count it. Yeah, because of the odd measures in the end. It kind of threw everybody, as well as it threw us off for a moment — but it worked. You were featured on the mallets, a particular pattern. What do you remember about that record?
So it was like another band within the band. Griff wanted to try these other little things, so this was the result of some of the things that we did with him.
I forget where he got the idea to use the two basses, but it was a very interesting date. A very prolific period for Griffin, who did about eight records for Riverside, plus all the two-tenor sessions. This band played so fast sometimes it was unbelievable. How do you swing at a tempo like that? What I did, I never watched my hands. I always tried to keep in touch with the guys playing.
I would never look at what I was doing, because it was just, to me, insane trying to play this fast. I guess having a very percussive pianist like Junior Mance… BR: Made it easier, yeah.
There again we get to the same thing. Well, no one does that better than Ben Riley. The bassist in that group is someone you associated with for years. Because he was with Thelonious Monk, was he not, at the time when you joined the band. You went from the Lockjaw-Griffin band to Sonny Rollins. I had known Sonny, not socially, but we knew each other from being in the neighborhood.
But he never associated me with playing, because he had never heard me or never seen me play. All he remembered was me playing basketball or seeing me out on the street. Miles was on that gig, but I was working with Aretha and Cleanhead. When you get off, come down and sit in with us. So I got down to RCA, and we started running over some of the music and recording. But I still made the gig, and I worked almost a year with Sonny. What was it like being on the road with Sonny Rollins back there.
It was shortly after he had come back from his hiatus. What was interesting, we went to California by train. It was the first time they had the sleeping quarters. So we rehearsed going out to California in one of the sleeping quarters every day. That kept it from being boring, plus it got the band much tighter together.
By the time we got to California, we really had a good idea of what we wanted to do. It must have been a great reception for the band, with Sonny Rollins emerging from retirement. Oh yeah, it was wonderful.
It was really great, because we had three sets and we had three changes. So we had a suit, sports outfit and tuxedos.
So every night we had three changes. The ever fashion-conscious Sonny Rollins! I guess it made the music wonderful, too, because every time you came in, even if we played the same song, we looked different! Well, Sonny Rollins was exploring all sorts of musical ideas and configurations at that time… BR: I think this is when Sonny was getting ready to touch that part of the music. I left when we got back, which was almost a year, and then Billy Higgins and Don Cherry joined the band after that.
That became the band where Sonny really stretched the form to its limits, just about.
What happens then between you leaving Sonny Rollins in early maybe, and then joining Thelonious Monk? Well, what happened is, I went to California with somebody like Paul Winter. I met Cannonball in San Francisco. So I was in there like six weeks opposite Monk.
That was the first two words he had spoken to me through the whole engagement. So I set up the drums, and as soon as he did that, he just started playing. I was in the band! Those were your first words with him, or did you know him before? Well, I never spoke to him before. We nodded, because I was in all these places that he was working, but we never spoke.
Do you remember when you first heard Monk play? It fascinated me so much, I used to play it all the time. Did you hear Monk in person? Did you go to the Five-Spot? Yeah, I went to the Five-Spot.
So you dug the music and… BR: Then when Frankie left, I was there. Well, Monk was from North Carolina, now.
Oh, it drove us crazy. This is my first recording with him also. This is the one that he called you to? Is Butch Warren the bassist? Butch Warren, right, and Monk and Charlie.
See, I knew Charles when he had Julius Watkins had a band. I knew Charles from uptown, Charles knew who I was, you know.
We had been friends for a while. After this particular job, we went to Europe. I have to play a drum solo. But I had been playing in the supper clubs with brushes for all those years. Playing quietly in the sup per clubs paid off. Yeah, I started out in supper clubs doing that, so it was much easier than I thought it would have been.
It took the edge off for me, because now I was more comfortable and more relaxed when that happened. Would Monk spring new tunes on you or would he give you a chance to rehearse? That was the beauty of it. He would only play what he thought you could handle. Then once he was assured that you could handle that, he would move on. But he never would try to embarrass you.
The head of state is the king, known as the Yang di-Pertuan Agong and he is an elected monarch chosen from the hereditary rulers of the nine Malay states every five years. The head of government is the prime minister, since its independence, Malaysia has had one of the best economic records in Asia, with its GDP growing at an average of 6. The economy has traditionally been fuelled by its resources, but is expanding in the sectors of science, tourism, commerce.
The word melayu in Malay may derive from the Tamil words malai and ur meaning mountain and city, land, malayadvipa was the word used by ancient Indian traders when referring to the Malay Peninsula. This term was applied to describe the current of the river Melayu in Sumatra.
The name was adopted by the Melayu Kingdom that existed in the seventh century on Sumatra 2. Alternative rock — Alternative rock is a genre of rock music that emerged from the independent music underground of the s and became widely popular in the s and s.
In this instance, the word refers to the genres distinction from mainstream rock music. The terms original meaning was broader, referring to a generation of musicians unified by their debt to either the musical style or simply the independent. Ethos of punk rock, which in the late s laid the groundwork for alternative music, Alternative rock is a broad umbrella term consisting of music that differs greatly in terms of its sound, its social context, and its regional roots.
By the end of the decade, alternative rocks mainstream prominence declined due to a number of events that caused grunge and Britpop to fade, emo attracted attention in the larger alternative rock world, and the term was applied to a variety of artists, including multi-platinum acts. Post-punk revival artists such as Modest Mouse and The Killers had commercial success in the early, before the term alternative rock came into common usage aroundthe sort of music to which it refers was known by a variety of terms.
College rock was used in the United States to describe the music during the s due to its links to the radio circuit. In the United Kingdom, dozens of small do it yourself record labels emerged as a result of the punk subculture, according to the founder of one of these labels, Cherry Red, NME and Sounds magazines published charts based on small record stores called Alternative Charts.
The first national chart based on distribution called the Indie Chart was published in Januaryat the time, the term indie was used literally to describe independently distributed records. Byindie had come to mean a particular genre, or group of subgenres, at first the term referred to intentionally non—mainstream rock acts that were not influenced by heavy metal ballads, rarefied new wave and high-energy dance anthems.
The use of alternative gained further exposure due to the success of Lollapalooza, for which festival founder, in the late s, the definition again became more specific. Defining music as alternative is often difficult because of two conflicting applications of the word, the name alternative rock essentially serves as an umbrella term for underground music that has emerged in the wake of punk rock since the mids.
Alternative bands during the s generally played in clubs, recorded for indie labels. This approach to lyrics developed as a reflection of the social and economic strains in the United States and United Kingdom of the s, bya majority of groups signed to independent record labels mined from a variety of rock and particularly s rock influences.
This represented a break from the futuristic, hyper-rational post-punk years 3. Progressive rock — Progressive rock is a broad subgenre of rock music that developed in the United Kingdom and United States throughout the mid to late s. Prog is based on fusions of styles, approaches and genres, Prog saw a high level of popularity in the early-to-mid s, but faded soon after. Conventional wisdom holds that the rise of rock caused this.
Music critics, who labelled the concepts as pretentious and the sounds as pompous and overblown. Early groups who exhibited progressive features are described as proto-prog. Inprogressive rock constituted a diversity of loosely associated style codes, the Canterbury scene, originating in the late s, denoted a subset of prog bands who emphasised the use of wind instruments, complex chord changes and long improvisations.
Rock in Opposition, from the late s, was more avant-garde, in the s, a new subgenre, neo-progressive rock, enjoyed some commercial success, although it was also accused of being derivative and lacking in innovation.
Post-progressive draws upon newer developments in music and the avant-garde since the mid s. The term progressive rock is synonymous with art rock, classical rock, historically, art rock has been used to describe at least two related, but distinct, types of rock music.
Similarities between the two terms are that they describe a mostly British attempt to elevate rock music to new levels of artistic credibility. However, art rock is likely to have experimental or avant-garde influences. Prog was devised in the s as a term, but later became a transferable adjective. Although a unidirectional English progressive style emerged in the late s, bycritics of the genre often limit its scope to a stereotype of long solos, overlong albums, fantasy lyrics, grandiose stage sets and costumes, and an obsessive dedication to technical skill.
Author Kevin Holm-Hudson believes that rock is a style far more diverse than what is heard from its mainstream groups. They each do so largely unconsciously, academic John S. Cotner contests Macans view that progressive rock cannot exist without the continuous and overt assimilation of classical music into rock.
Debate about the criteria and scope of the genre continues in the s. In early references to the music, progressive was partly related to progressive politics, Cotner also says that progressive rock incorporates both formal and eclectic elements, It consists of a combination of factors — some of them intramusical, others extramusical or social.
One way of conceptualising rock and roll in relation to music is that progressive music pushed the genre into greater complexity while retracing the roots of romantic 4. Rock music — It has its roots in s and s rock and roll, itself heavily influenced by blues, rhythm and blues and country music.
Rock music also drew strongly on a number of genres such as electric blues and folk.
Musically, rock has centered on the guitar, usually as part of a rock group with electric bass guitar. Punk was an influence into the s on the subsequent development of subgenres, including new wave, post-punk.
From the s alternative rock began to rock music and break through into the mainstream in the form of grunge, Britpop. Similarly, s punk culture spawned the visually distinctive goth and emo subcultures and this trio of instruments has often been complemented by the inclusion of other instruments, particularly keyboards such as the piano, Hammond organ and synthesizers. The basic rock instrumentation was adapted from the blues band instrumentation. Melodies are often derived from older musical modes, including the Dorian and Mixolydian, harmonies range from the common triad to parallel fourths and fifths and dissonant harmonic progressions.
Critics have stressed the eclecticism and stylistic diversity of rock, because of its complex history and tendency to borrow from other musical and cultural forms, it has been argued that it is impossible to bind rock music to a rigidly delineated musical definition. These themes were inherited from a variety of sources, including the Tin Pan Alley pop tradition, folk music and rhythm, as a result, it has been seen as articulating the concerns of this group in both style and lyrics.
Christgau, writing insaid in spite of some exceptions, rock and roll usually implies an identification of male sexuality, according to Simon Frith rock was something more than pop, something more than rock and roll.
Meet Uncle Hussain
Rock musicians combined an emphasis on skill and technique with the concept of art as artistic expression, original. The foundations of music are in rock and roll, which originated in the United States during the late s and early s. Its immediate origins lay in a melding of various musical genres of the time, including rhythm and blues and gospel music, with country.
InCleveland, Ohio disc jockey Alan Freed began playing rhythm and blues music for a multi-racial audience, debate surrounds which record should be considered the first rock and roll record. Argentine rock — Argentine rock is composed or made by Argentine bands or artists mainly in the Spanish language. For nearly half a century it has been a popular genre.