Thematic Structure of A Raisin In The Sun
Reading (done in class): Quizzes and Tests: What do Mama and Beneatha argue about in Scene 1? In scene Describe Beneatha's relationship with Asagai. Asagai urges Beneatha to live her dreams instead of depending on someone else to make them possible. He admires her independent spirit and hopes to ignite. What is Asagai's present to Beneatha? A. Why is Asagai's nickname for Beneatha appropriate? A. Beneatha has big dreams of being a doctor. D. All of the . Are You The Type Of Person Who Cheats In A Relationship?.
Who is Joseph Asagai? What is implied about the relationship between him and Beneatha? What does Asagai give to Beneatha as a gift? Why is Beneatha pleased with it? How does Asagai react? What stereotypes about women does Asagai reveal?
Why does Beneatha thank Asagai for the nickname? Explain her conflicting feelings. What does Walter ask as soon as he comes in the door? Why does he shout? How does Walter explain his discontent about his job and his future? Why does Walter crumple his papers, make an angry speech, and head out of the apartment?
What news does Mama tell Walter about Ruth? What are his dreams, his frustrations, his problems? By the end of Act I, what have we learned about Ruth? By the end of Act I, what have we learned about Beneatha? What positive aspects may help them resolve their problems? Act II, Scene 1 1. What is the setting at the beginning of this scene? How is it different from the end of Act I?
How does this definition present conflict for Beneatha? How do Walter and Ruth describe their relationship? What news does Mama bring home, and why do Ruth and Walter react as they do? Why is this both good news and bad news? Act II, Scene 2 1. Explain the disagreement between Beneatha and George regarding studying or education.
How does the argument end?
English A Raisin In The Sun Comprehension Test - ProProfs Quiz
Beneatha thanks her mother for understanding her. Specifically what understanding does Beneatha mean? As a result, what does Walter try to do? When Walter returns, what does Mama learn? Describe the fantasy world that Walter paints to Travis when he tells him of his plans for the future. Act II, Scene 3 1. What is the atmosphere at the opening of the scene? How has the Younger family changed at the end of the week? What dream does Mr. When Walter complains that Beneatha's medical schooling will cost more than the family can afford, he bases his argument on the fact that since Beneatha is a woman, she should not even want to become a doctor.
Walter's resentment and anger erupts in Act I, Scene 1: If you so crazy 'bout messing 'round with sick people — then go be a nurse like other women — or just get married and be quiet. She never yields to Walter and, in some cases, even goads him into a confrontation. Ruth's advice to Beneatha is that she should just "be nice" sometimes and not argue over every one of Walter's insensitive remarks.
This advice is, of course, totally unacceptable to a character like Beneatha, to whom feistiness is a virtue and docility a "sin. She makes it clear, early on, that she has no use for George Murchison because of his shallow beliefs. She makes it clear to Ruth that she doesn't understand how anyone could have married someone like Walter. And she defies her mother on religious points; in fact, Mama has to slap Beneatha before she will back down.
However, after Mama has left the room, Beneatha still says to Ruth that there is no God. Mama is the "head of her household" only by default. She had to take charge after the death of Big Walter, whose name suggests that he was in charge of his family prior to his death. Mama appears to be always ready to hand over the reins to her son and let him be "head of the household" for one reason: He is a man.
She entrusts Walter with the remaining insurance money because she feels that she has robbed him of his "manhood" by having done with the money what she thought was best. Mama is the type of woman who believes that the man should be in charge. Ruth apparently agrees, but Beneatha does not. Hansberry skillfully introduces issues of feminism that were not addressed as a political issue until a decade after the play's Broadway opening. Along with feminism, the theme of fecundity fertility; being fruitfully prolific is threaded throughout this play.
Three generations of Youngers live in the same household; in addition, both Ruth's possible pregnancy and her contemplation of abortion become focal points of the drama, and Mama's reference to the child that she lost is emphasized.
She does not merely mention Baby Claude in conversation; rather she dwells upon her loss dramatically. At the beginning of the play, Ruth serves eggs — but not without getting into an argument with Walter over the eggs — which again accentuates the importance of this symbol of fertility to the play.
In addition, toward the end of the play, we learn that Mama's maiden name was Lena Eggleston, a name that underscores the theme of fecundity as much as the argument over eggs at the beginning of the play.
A related motif is the subject of abortion, which was taboo and illegal in Ruth considers an abortion in order to save her "living family" from further economic distress. The slightest reference to the word, however, sends the other family members into an emotional tailspin. Even Beneatha's inadvertently callous response to Ruth's pregnancy is "Where is it going to sleep? Mama says in exasperation: Ruth is trapped both by poverty and by the knowledge that her relationship with Walter Lee is rapidly deteriorating.
Walter, although surprised to learn that she is contemplating an abortion, is still too caught up with his "get-rich-quick" scheme to offer her emotional support. Ruth contemplates an abortion because she believes this decision would be in the best interest of her family. Whether or not Ruth will actually decide on an abortion is debatable, for Ruth says to Mama in Act I, "Ain't no thin' can tear at you like losin' your baby. At this point in the play, Ruth's pregnancy has not yet been verified, but the dialogue spawned by the abortion controversy in this drama is as relevant today as it was inwhen the play opened.
Afrocentrism, or the expression of pride in one's African heritage, so popular among the black youth of the s, was, ina little-known phenomenon.
But Lorraine Hansberry's affinity for all things African resulted from the people of greatness that she was acquainted with through her family. Langston Hughes, for example, was a friend of her father's and often came to the Hansberry home for dinner.
Lorraine's uncle, Leo Hansberry, a noted historian and professor, was the teacher of Kwame Nkrumah while he was a student at Howard University. Kwame Nkrumah was the leader of the fight for freedom of the Gold Coast from British rule and became its first president in Hansberry's knowledge and pride in her African heritage was a result of her family and her family's associations, something of which few other blacks could boast.